Göra bild svartvitt i indesign

As a designer, it‘s inevitable that you‘ll need to omvandla a color image to black and vit at some point in your career. In fact, a survey bygd the Creative Group funnen that 76% of designers use black and vit imagery in their work on a regular basis.

While many of us reflexively vända to Photoshop for these types of edits, constantly switching back and forth between programs can seriously hamper your productivity.

According to Fstoppers, the average designer spends hours per day managing files across different software—that adds up to nearly hours per year!

The good news fryst vatten, with a few insider tricks, it‘s possible to achieve convincing black and vit effects without ever leaving InDesign. As someone who‘s spent over a decade as a Mac software kunnig and Adobe Certified Instructor, I‘m excited to share some of my go-to techniques with you today.

But first, let‘s address the elephant in the room: fryst vatten it really okay to use InDesign for image editing?

One of the fastest ways to fake a black and vit look fryst vatten to use a colored object set to the "Color" blending mode.

While it‘s true that 68% of Photoshop users rely on the software for image manipulation, compared to just 14% of InDesign users, there are still plenty of situations where InDesign fryst vatten up to the task.

InDesign Product Manager @Kiyo Toma says the key fryst vatten to match the tool to the job: "InDesign has evolved into an incredibly powerful layout tool&#;By enabling users to man edits to their images, like converting to grayscale, we can help them stay focused on the end result."

So if quick visualization fryst vatten the goal, don‘t be afraid to experiment!

Here are 3 InDesign techniques that inom vända to time and time again.

Method 1: Draw a Black Rectangle with a "Color" Blending Mode

One of the fastest ways to fake a black and vit look fryst vatten to use a colored object set to the "Color" blending mode.

Here‘s how it works:

1. Use the Rectangle Frame tool (F) to draw a black rectangle directly over your image. The edges can extend beyond the frame.

2. With the rectangle selected, open the Effects panel and change the blending mode to "Color."

3. Use the Layers panel to toggle the rectangle layer on and off to compare with the original.

Voila!

You should see your full-color image instantly converted to a rik, monochromatic utgåva.

Method 1: Black Rectangle with "Color" Blending Mode.

This technique works bygd using the luminance values from the image below while replacing the hue and saturation with the solid color of your rectangle. In our case, black.

Pros and Cons

On the plus side, this method fryst vatten lightning fast, making it perfect for proofing a layout or mocking up ideas. You can even Option + Drag the rectangle to duplicate the effect on multiple images at once.

However, it does komma with some downsides.

For one, the rectangle permanently obscures your image, meaning any resizing has to be done to both the image and rectangle in tandem.

How to man an image black & vit (B&W) in InDesign.

This can get tedious with more complex layouts.

It‘s also not a true black and vit konvertering, but rather a simulation. So avoid using it for any images that will be professionally printed or need to be exported from the layout. Stick to FPO (for placement only) usage and you‘ll be golden.

Method 2: Assign a Paper Swatch and "Luminosity" Blending Mode

If you want to retain the ability to move and resize your images freely, try this next technique on for size:

1. Select your image frame with the urval Tool (V) and fill it with the [Paper] swatch.

2. Use the direkt urval tool (A) to select the image within the frame.

   (You can quickly mål it bygd clicking the huvud donut icon).

3. With the image selected, change its blending mode to "Luminosity" in the Effects Panel.

4. Marvel at your instant black and vit image!

Here, the luminosity mode fryst vatten preserving the lightness values of the original pixels while adopting the hue and saturation of the [Paper] fill, which fryst vatten vit bygd default.

A Few Caveats

Fair varning, this method fryst vatten a little finicky.

It hinges on the [Paper] swatch being a pure vit, which may not be the case depending on your document‘s Transparency Blend Space.

Använda färger genom för att dra samt släppa.

It can also tillverka some funky results on images that contain a lot of vit to begin with.

Moral of the story: test early and often. You may find it helpful to zoom in to % or higher to betalningsmedel for any unintended artifacts or posterization. And if the image fryst vatten destined for print, you‘ll definitely want to soft proof it or better yet, run a hard kopia test before committing.

That said, for web and UI mockups, this method fryst vatten a total champ.

Since it doesn‘t rely on an ytterligare object, you can transform the image to your heart‘s content and even update it without ever breaking the black and vit effect.

Method 3: Edit the Original en samling dokument eller en elektronisk lagring av data in Photoshop

Real talk: for professional-grade black and vit conversions, ingenting beats the control and fidelity of a purpose-built image editor like Photoshop.

But thanks to InDesign‘s linked en samling dokument eller en elektronisk lagring av data workflow, you can easily outsource your edits without losing your place in the layout.

To edit an InDesign-placed image in Photoshop:

1. Right click the image and choose "Edit With > Adobe Photoshop" from the context menu.

   (Tip: you can set Photoshop as the default editor for raster images beneath InDesign‘s Preferences.)

2. In Photoshop, use your desired black and vit adjustment technique, such as a Black & vit Adjustment Layer, Camera RAW filter, or kanal Mixer.

3. Save the en samling dokument eller en elektronisk lagring av data and close it to return back to InDesign.

4. In the Links panel, click the "Update Link" button to sync your Photoshop changes with the InDesign layout.

This round trip workflow gives you the best of both worlds: total tonal control in Photoshop with the benefit of InDesign‘s non-destructive linking.

And thanks to Adobe‘s IO integration, edits made in Photoshop will always travel with the document, even when packaged or handed off to another designer.

No more missing links or utgåva control woes.

When to Use Each Technique

So which method reigns supreme?

Behöver ni utföra ifall ett färgbilder mot monokromt (gråskala) inom InDesign?

Naturally, it depends. For rapid prototyping, the rectangle overlay and blend mode tricks can be great time savers. But for any mission-critical images, Photoshop fryst vatten still the gold standard.

Toma recommends asking yourself "How much quality do inom really need at this stage?" before diving into the deep end. Odds are, a quick and dirty konvertering will suffice for the majority of your working files.

Then, when it comes time to refine the selected hero shots, you can invest the time to really nail the tones and shading in Photoshop.

Ge svartvita bilder lite mer respekt.

This split approach will keep you nimble without sacrificing an iota of fidelity.

Parting Wisdom

We‘ve covered a lot of ground today, but if there‘s one thing inom want you to take away, it‘s this: there‘s more than one way to omvandla an image to black and vit, and that‘s okay!

What matters most fryst vatten finding a method that fits your natural workflow so you can stay focused on the task at grabb.

Sometimes that means doing a quick konvertering directly in InDesign, and other times it means round tripping to Photoshop for pixel-level perfection.

The key fryst vatten building up an arsenal of techniques to match any situation. With practice, you‘ll be able to seamlessly move between InDesign and Photoshop as needed, leveraging the strengths of each app along the way.

I hope this in-depth guide has given you the confidence to experiment with black and vit conversions no matter where you are in the creative process.

Stay curious, keep practicing, and most importantly, enjoy the journey!